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Archive for March, 2009

Mar 31 2009

Two join horror film ‘Dead of Night’

Taye Diggs, Anita Briem to co-star opposite Brandon Routh

Taye Diggs and Anita Briem have joined the cast of the Hyde Park-Platinum Studios horror film, “Dead of Night,” currently filming in New Orleans. Stunt coordinator Eric Norris (”Righteous Kill”) has also come on board to handle the stunt choreography.

The actors join Brandon Routh (”Superman Returns”) and Sam Huntington (”Fanboys”) in the supernatural thriller being directed by Kevin Munroe (”Teenage Mutant Ninja Turtles”). Joshua Oppenheimer and Thomas Dean Donnelly (”Sahara”) penned the “Men in Black”-style vampire-werewolf-zombie film, which they adapted from the bestselling 1986 Italian comic series, “Dylan Dog.”

Diggs will play Vargas, the head of a vampire family, and Briem is Elizabeth, one of Dylan Dog’s (Routh’s) potential romantic conquests.

Platinum’s Scott Mitchell Rosenberg and Hyde Park’s Ashok Amritraj are producing the $20-million indie along with Gilbert Adler (”Valkyrie”); co-financer Omnilab Media Group (”The Messenger”) is presenting the film.

Diggs, repped by ICM and A Management Company, stars on ABC’s “Private Practice.” He has appeared in the films “Rent,” “How Stella Got Her Groove Back” and “Chicago.”

Briem, repped by UTA and Untitled, appears on the Showtime drama “The Tudors” and co-starred in the film, “Journey to the Center to the Earth.”

Norris has performed stunts in movies such as “Angels & Demons,” “Rush Hour 3″ and “”War of the Worlds,” and he was stunt coordinator on “Tekken,” “Beyond a Reasonable Doubt” and “I Love You Philip Morris.”

Source - http://www.hollywoodreporter.com

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Mar 31 2009

The passing of Dick Golembiewski

The expert on Milwaukee’s TV history, Dick Golembiewski, died Sunday after suffering an apparent heart attack while shoveling snow.

Dick’s detailed “Milwaukee Television History: The Analog Years,” the product of more than a decade of research, came out late last year.

He also created a Web site, that chronicled the old hosts of Milwaukee’ horror movie programs.

The 51-year-old Golembiewski worked the microphone at WMSE-FM (91.7) under the name Dick Nitelinger, a persona he kept alive at his Horror Hosts site.

I didn’t know Dick that well, But we spoke from time to time on the phone. He was an enthusiastic student of the media and of Milwaukee history.

Dick’s book was a labor of love, and I’m happy that he at least got to see it in print before his untimely passing.

Source - http://www.jsonline.com

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Mar 31 2009

Rob Zombie Finally Spills Details On ‘Tyrannosaurus Rex’

Quick, do a Google search for Rob Zombie’s “Tyrannosaurus Rex.” We’ll wait…Short of a 2008 promo image, chances are you saw lots of stories doing the online equivalent of scratching their heads, wondering what, exactly, Zombie’s in-development flick is all about. Some think it’s based on a comic he wrote, others think it has something to do with biker gangs from hell, and most assume it’s another horror offering from the rocker-turned-director.

But according to Zombie, all of them are wrong.

“It’s not a horror movie,” explained Zombie in an exclusive interview with MTV from the set of “Halloween 2.” “It’s like an incredibly violent ’70s action movie. I can’t think of anything that’s like it. Just a gritty, gnarly, violent movie. But it’s not a horror movie in any way.”

With that out of the way, Zombie goes on to do his best to explain what “Tyrannosaurus Rex” is all about.

“It’s sort of like a cross between that Dustin Hoffman movie ‘Straight Time’ mixed with ‘Raging Bull’… sort of,” said Zombie. “I want to make a serious movie about this washed-up prizefighter who’s got this self-destructive tendency, and he comes out of prison and the only way he knows how to survive is by fighting.

He continued, “But his boxing career is over so he gets caught up in this sort of underground fight ring. But it’s all set in the ’70s, so it’s not like an ‘Ultimate Fighting’ type thing. It’s more like just nasty. It’s like if ‘Every Which Way But Loose’ was a serious movie. How about that? Minus the orangutan. [laughs]”

Furthermore, Zombie took the opportunity to dispel the rumor that “Tyrannosaurus Rex” was based on he and writer Steve Niles’ comic, “The Nail,” but at the same time, noting that that may make it a tough sell in Hollywood.

“Someone just said that and then everyone believed it,” Zombie said in regards to the rumor. “Nah, it has nothing to do with it. But these days nobody wants to make anything that isn’t a remake, a comic book or a sequel. So trying to get anyone to back original material is a nightmare.”

Source - http://moviesblog.mtv.com

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Mar 27 2009

Confirmed guests to the New England Webcomics Weekend

Official Guest List

Confirmed guests to the New England Webcomics Weekend include:

Gene Ambaum - Unshelved
Bill Barnes - Unshelved
Andrew Bell - Creatures in My Head
Sam Brown - Exploding Dog
Jorge Cham - Piled High & Deeper
Steven Cloud - Boy on a Stick and Slither
Joey Comeau - A Softer World
Danielle Corsetto - Girls With Slingshots
Rob DenBleyker - Cyanide and Happiness
Lar deSouza - Least I Could Do, Looking For Group
Rene Engstrom - Anders Loves Maria
Dorothy Gambrell - Cat and Girl
Meredith Gran - Octopus Pie
KC Green - Gun Show, Horribleville
Brad Guigar - Evil, Inc.
Chris Hallbeck - The Book of Biff
Chris Hastings - Dr. McNinja
Emily Horne - A Softer World
Jeph Jacques - Questionable Content
Dave Kellett - Sheldon
Scott Kurtz - PvP
Vincent LaBate - Kitty Hawk
Braden Lamb - Kitty Hawk
Sam Logan - Sam and Fuzzy
David Malki! - Wondermark
David McGuire - Gastrophobia
Randy Milholland - Something Positive
Eric Millikin - Fetus X
Ryan North - Dinosaur Comics
Jon Rosenberg - Goats
Jeffrey Rowland - Wigu, Overcompensating
Ryan Sohmer - Least I Could Do, Looking For Group
Paul Southworth - Ugly Hill
Spike - Templar, Arizona
R. Stevens - Diesel Sweeties
Kris Straub - Starslip, Chainsawsuit
Zach Weiner - Saturday Morning Breakfast Cereal
David Willis - Shortpacked
Kris Wilson - Cyanide and Happiness
Chris Yates - Reprographics
Jeff Zugale - Just a Bit Off

Source - http://www.webcomicsweekend.com/official-guest-list/

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Mar 27 2009

First New England Webcomics Weekend a Big Success

This story originally appeared in PW Comics Week March 24, 2009

Creators, hobbyists, and the intellectually curious came from across the country to participate in Webcomics Weekend, which was held on March 20 - 22 in Easthampton, Massachusetts. Organized by Octopus Piecreator Meredith Gran, the initial show began as an informal get-together amongst fellow cartoonists and slowly evolved into something far more akin to “Webcomics Woodstock”—part learning symposium /part comic convention /part love-in.

Featured comic creators lined the first floor hallway of the Eastworks building. Here, fans came to buy books, t-shirts, prints, and original art to support their favorite webcomickers. Other fans supported their favorite cartoonists in other ways by buying them drinks at the bar, or in at least once case, sponsoring a cartoonist’s airfare to the event.  

Throughout the day, the series of well-attended panels offered a broad range of insights from “Drawing with the Cintiq” to “Creating Memorable T-Shirt Designs,” which emphasized craft, professionalism, and the business of working in webcomics. But it wasn’t all serious business as creators like Jonathan Rosenberg, R. Stevens, Ryan North, Chris Hastings, and Scott Kurtz were among the creators showing off the sillier side of their profession.

In the second floor gallery, attendees could see the works of Spike, Danielle Corsetto, David Maki, and Dave Kellet on display. The gallery was also home to the interactive, participatory project The Infinite Canvas Room, which celebrated the idea that the size of a digital comic page is limited only by one’s imagination.

But, the Infinite Canvas Room wasn’t the only interactivity going on. The popular micro-blogging site Twitter acted as a public bulletin board allowing attendees to find one another during the pubcrawl, panels, and various afterparties.

Friday evening’s pubcrawl through Northampton unofficially kicked off the event. Despite the palpable excitement in the air, more than a handful of cartoonists were desperately trying to arrange an impromptu viewing of the Battlestar Galactica finale, twittering to one another the best place to enjoy a cold beer and a cool show. But whether they were avoiding BSG spoilers, drinking a $3 Guinness at Hugo’s, hobnobbing at the Toasted Owl, or watching their favorite cartoonists spin a few yarns at the Tunnel,all of the pubcrawlers were in good spirits, while sharing some good spirits.By Saturday morning, crowds were lined up at the doors ready to take part in the festivities. Despite a larger than expected turnout, the roomy venue—Eastworks, an old brick factory refitted into offices—never led to the overwhelming sense of claustrophobia one might feel at San Diego or New York Comic Cons. While there was no official attendance tally for the event, Christine Lawrence, a volunteer for the show, believed the number of guests to be roughly four or five hundred, noting that she personally registered at least one hundred guests.

When asked why she volunteered for the event, Ms. Lawrence noted, “I only read two webcomics, Girls With Slingshots and Hijinks Ensue , but I came to this event from New York to learn more about what the world of webcomics has to offer. There are so many talented people here and this is as good a place as any to find some new comics to read and be a part of something fun.”

David Willis, creator of the popular webcomic series Short-Packed, drove from Ohio to attend the show but wasn’t disappointed by the turnout. “This really is one of the best shows I have ever attended. It’s really fun, it’s really focused. The atmosphere here is amazing. There’s an enthusiasm here that you just don’t find anywhere else.”  

While the crowds were noticeably lighter by Sunday afternoon, convention goers and guests alike were already buzzing about next year’s show. For a show in its infancy, Webcomics Weekend has a very bright future ahead of it, which is great, considering it will be back next year!

Source - http://www.publishersweekly.com

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Mar 26 2009

In honor of “Monsters vs Aliens,” the best and worst 3D movies

Published by naturalbbevents under Comedy Edit This

The 3D genre is back and we’re getting another dose this weekend with “Monsters vs. Aliens.” In honor of the rebirth of 3D movies and the latest to be released, here are the best of the best and the worst of the worst:

The five best 3D movies:

5. “Dial M For Murder,” 1954. Alfred Hitchcock’s classic mystery is one of his greatest and his use of 3D is the perfect mixture of subtlety and shock. Hitchcock is the master and always will be.

4. “The Polar Express,” 2004. This was a hard one to choose. I didn’t love the movie. It was kind of a bunch of nothing. But the 3D is incredible. There was a reason it was called the “Polar Express” Imax Experience.

3. “Beowulf,” 2007. I never thought I’d want anything to do with this story after being forced to read it in high school. But I must say, the complete CG format was quite an impressive spectacle.

2. “House of Wax,” 1953. It’s the classic horror movie that started the 3D craze of the 1950s and tagged Vincent Price as King of 3D. It’s amazing that such an early film didn’t use 3D as a gimmick. The movie was not written to accommodate 3D. Instead 3D was worked in where it, well worked. And get this, “Monsters vs. Aliens” pays homage to “House of Wax” as it borrows from one of its most memorable scenes.

1. “Coraline,” 2009. This 3D stop-motion animated film was based on the novella by Neil Gaiman. While I think Gaiman’s novella is better than the movie, “Coraline” is still the best 3D movie I’ve seen. So far. The beauty in the movie is that it doesn’t use 3D to scare or surprise its audience. Instead it uses it to bring the audience into the film. The darkness and magical tones kind of puts you in a trance and before you know it, it’s like you’re watching real life instead of a movie. If “Coraline” is any indication where 3D is heading, we’re all in for a treat.

The five worst 3D movies:

5. “The Nightmare Before Christmas.” 2006. Tim Burton first gave us this great stop-motioned animated piece in 1993. The film was reissued in 3D in 2006 and I still wish it wasn’t. It becomes clear that this movie wasn’t made for 3D purposes. It just didn’t quite make sense to add 3D effects to a movie that wasn’t meant to be. But, to give credit where credit is due, I will say this: The movie itself is one of my favorite animated features.

4. “Jaws 3D,” 1983. What makes this installment of the monster shark so bad is its horrible translation to a flat version, which is the only version most of us has been able to see. It’s as if the filmmakers didn’t keep that in mind at all. The quality is poor and let’s face it, sharks don’t swim fast enough to create any kind of scare. And we all know any “Jaws” movie warns us five minutes before anything bad happens with the famous theme. Oh, and as if the 3D wasn’t bad enough, it’s set inside a Sea World.

3. “Friday the 13th: Part III,” 1982. Just like “Jaws 3,” the third installment in the “Friday” franchise is a complete mess when you see it flat. The infamous eyeball scene is a cool concept, but it looks so ridiculous without any 3D glasses. Besides the 3D issues, the movie has some important history for the franchise: It’s the one where Jason first donned his hockey mask.

2. “My Bloody Valentine,” 2009. What? They remade this? Why? The original was bad enough. The 3D effects are purely a gimmick. And the storyline plays out like a bad episode of “The Young & The Restless.” And don’t even get me started on the uninventive kills. You can only kill someone with a pickax so many ways. Take a lesson from Jason Voorhees.

1. “Amityville 3D,” 1983. The only thing that leaps out at the audience of this flop is that the 1980s 3D comeback was as cheesy as the decade itself. This one has all the makings of a horrible movie: bad acting, bad writing, the lack of a storyline, bad editing, bad effects… I have absolutely nothing nice to say about this one. Accept don’t see it. If you could still catch it in 3D I might say see it for a laugh, but without any glasses it would just be a waste of your time.

Source - http://www.examiner.com

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Mar 26 2009

‘Three Stooges’ coming together at MGM

Nyuk-nyuk-nyuk.

MGM and the Farrelly brothers are finally slapping together their high-profile cast for “The Three Stooges,” a comedy project the filmmakers have been developing for years. Sean Penn is set to play Larry, and Jim Carrey is in negotiations to play Curly. Benicio del Toro is a rumored possibility for the brothers’ taciturn leader, Moe.

The studio is looking to start production in the fall for a 2010 release slot.

The project was originally set up at Columbia, which produced the 1930s Stooges shorts. C3 Entertainment Inc., which holds the licensing rights to the Stooges brand, then sold the feature rights to Warner Bros. in 2001 for the Farrellys to write and produce the movie. Eventually, Warner Bros. let the rights lapse and MGM’s Mary Parent scooped them up along with the Farrellys’ continuing participation.

Peter and Bobby Farrelly wrote the script, which Bobby has referenced as “Dumb, Dumber & Dumbest,” and will produce with Bradley Thomas and Charlie Wessler. Earl and Robert Benjamin of C3 will executive produce.

The film is not a biopic but a fictional treatment that maintains the Stooges’ gleeful slap schtick updated for a modern milieu.

Originally constructed as four separate shorts, the feature screenplay has since been streamlined into a single narrative. Included in the story line is an opening that shows the Stooges as kids in an orphanage, a device that will require some “Benjamin Button”-style visual trickery to place the adult actors’ heads on child actors’ bodies.

The Stooges maintain remarkably global brand recognition, and their shorts, films and cartoons are still broadcast in 30 countries. The Farrelly brothers’ latest comedy “The Heartbreak Kid” grossed $124 million worldwide.

Penn is repped by CAA, Carrey by CAA and the Miller Co.

Source - http://indiefilm.movies.yahoo.com/article-9-/

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Mar 19 2009

Clash of the monsters

Everybody knows you can’t keep a good werewolf chained up for long, even if you’re a cruel aristocratic vampire from the Dark Ages

Tricked out in leather and heavy metal hair, the British actor Michael Sheen takes a lively break from his usual high-crust duties to bring wit, actual acting and some unexpected musculature to the goth-horror flick Underworld: Rise of the Lycans The film, a prehistory to the first two Underworld movies, rewinds time to when the werewolves, or Lycans, led by Lucian (Sheen), began rattling the chains clamped on them by their vampire masters, a louche crowd that answers to Viktor (the British actor Bill Nighy).

Set primarily in the lair of the vampires, a dark castle bathed in moon-blue light and dappled with pools of black shadow, the film offers few surprises other than Sheen’s vigorous, physical performance. Although the presence of Sheen — who can be seen twinkling as David Frost in Frost/Nixon and is probably best known for playing Prime Minister Tony Blair in The Queen — is initially distracting, it soon becomes the movie’s greatest asset. There is, as it turns out, some benefit to having a real performance even in a formulaic entertainment like this, as shown by Sheen’s commitment here and by the lackluster star turn of Kate Beckinsale in the previous movies.

Unlike Nighy, who puts an amusing camp spin on his every line and gesture, Sheen appears to have taken his monster duties seriously: his eyes pop with menace, and he howls up a mighty storm. Though the director, Patrick Tatopoulos, clearly likes the looks of the female lead, Rhona Mitra as Sonja, Viktor’s daughter and Lucian’s lover, he gives Sheen plenty of face time. The actor’s value is particularly evident during the various fight sequences, which — because they are underlighted and, as is too often the case in contemporary genre cinema, overedited — come across as needlessly chaotic. It’s at moments like these that Sheen’s bright eyes become beacons, two points of light in the murky dark.

Source - http://www.taipeitimes.com

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Mar 19 2009

The Monsters That Inspired ‘Monsters vs. Aliens’

At first the idea of watching 150 B movies from the 1950s, ’60s and ’70s on DVD sounded like an interesting way to do character research for “Monsters vs. Aliens.”

But sometime around 1960’s “Leech Woman” (Tag line: “Forever young! Forever deadly!”) the endeavor became more Bataan Death March than enjoyable romp through campy movie history. As it turns out, a little blood-spattered polyester goes a long way. Nevertheless Rob Letterman and Conrad Vernon, the directors of “Monsters vs. Aliens,” charged forward in the name of their art.

“There’s just something very funny and comfortable about those old-time monsters,” Mr. Vernon said. “Compared to all the horrors we’re living with today, I’ll take a lagoon creature with slimy tentacles any day of the week.” (Mr. Letterman, busy directing “Gulliver’s Travels” in London, was unavailable for comment.)

Each of the movie’s five monsters has DNA traceable to those films, although none is a mere copy of an older character. Susan is a normal woman who grows to be 49 feet 11 inches tall after a meteorite lands on her, à la “Attack of the 50 Foot Woman.” Dr. Cockroach, who has the head of a bug after a lab experiment goes horribly wrong, represents “The Fly” and “The Curse of Frankenstein.”

A whole subgenre of slithering and slimy characters (“The Blob,” “The Crawling Eye”) became B.O.B., a friendly monster who started life as a genetically altered tomato. (“He’s pretty darn lovable in retrospect,” Mr. Vernon said.) Insectosaurus, a 350-foot-tall grub turned monster by nuclear radiation, is a nod to “Mothra,” a 1961 Japanese entry in the genre.

And then there is Missing Link. Although “Creature From the Black Lagoon” is an obvious inspiration, Mr. Vernon said, “Link really just represents anything prehistoric that comes back to life and terrorizes people.”

Source - http://www.nytimes.com/2009/03/22/movies/22sbar.html

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Mar 19 2009

Cleveland International Film Festival: Get a taste of ‘Midnight Snacks’

Are you a daring film connoisseur of the weird, strange and perverse? Check out the unusual late-night fare served as “Midnight Snacks” during the 33rd Cleveland International Film Festival at Tower City Cinemas.

Just as the title suggests, these tasty oddities are whipped up at midnight on the Fridays and Saturdays that bookend the CIFF. Don’t be reluctant to attend for fear of being turned away. Seats generally are available for the adventurous movie lovers.

Friday

“The Disappeared” (United Kingdom) — This moody thriller centers on devastated Matthew (Harry Treadaway) after his younger brother has disappeared from a city playground. The young man struggles to find the truth of what happened with the help of the mysterious Amy (Ros Leeming).


Saturday

“Tokyo!” (Japan) — It’s hard to resist a film that contains segments directed by Michel Gondry (”Eternal Sunshine of the Spotless Mind”) and Bong Joon-ho (”The Host”). Three short stories are set in the titled city.

March 27

“Surveillance” (USA) — Can the daughter follow in the legendary footsteps of a man who crafted that midnight movie classic, “Eraserhead”? Yes, it’s Jennifer Lynch, David’s offspring, who directs Bill Pullman and Julia Ormond in this thriller, where three eyewitnesses are the only clues to a series of murders.

March 28

“FilmPhobia” (Brazil/Germany) — Like the notorious “Faces of Death,” this dark film dares its audience to shamelessly watch volunteers who often stripped of clothing and tied down face their own worst fears. In between the torture, the film crew discusses the merit of their work. Think twice before entering this very twisted flick.

Also on hand are four different “Midnight Shorts” programs, filled with scary, twisted and hilarious films from around the world.

If you’re a movie fiend, this is a great time to be an insomniac and munch on these salacious “Midnight Snacks.”

The 33rd Cleveland International Film Festival runs from March 17 through March 29 at Tower City Cinemas. Visit www.clevelandfilm.org  for times and tickets, as well as $2 discount coupons available by entering the Sun News discount code of SNWS online.

Source - www.cleveland.com

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